Me: You gotta get up for the downstroke… You know what I’m saying, chief?
Sri: Ahh, do yeah ya know yeah.
Me: WHAT!?!
Sri: Sorry chief, the bubble gum wouldn’t let me speak clearly.
Me: Oh…
Sri: It’s not the swagger.
Me: !!!!!!
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do better... move with the movement...
Me: You gotta get up for the downstroke… You know what I’m saying, chief?
Sri: Ahh, do yeah ya know yeah.
Me: WHAT!?!
Sri: Sorry chief, the bubble gum wouldn’t let me speak clearly.
Me: Oh…
Sri: It’s not the swagger.
Me: !!!!!!
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…randomly played on my iPhone… just in time for the upcoming Spartacus: Vengeance season…
[youtube http://www.youtube.com/watch?v=BhqQFs7huwU]
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Well, Red Tails came out. Don’t everybody clap at once. I spent the better part of last week Karl Roving this movie. I tried my best to convince people to go see it, if not for the story then at least in support for one of the highest budgeted Black films in recent history. At the time of this writing the box office numbers aren’t in, but if the scant attendance at the theater I went to is any indication, the movie didn’t do too well.
To be perfectly honest, I think the movie sucked. The dialogue was poorly written, the characters were never developed, the only guy with an Oscar seemed to be phoning his performance in and the story telling was amateurish at best. The whole thing felt like a high school essay where, instead of cleverly crafting a solid piece of work, the student is simply including information in random order to prove that he read the material.
Throughout the film I found myself wondering if the movie was really a metaphor for Hollywood in general. You have a highly capable group that, despite being given second-hand equipment, low expectations, almost zero support and hardly any recognition, still accepts what comes its way in the name of making small strides. The whole time I kept wondering, “If this story needed to be told so badly then where is Denzel Washington, Don Cheadle, Will Smith, Morgan Freeman, Chiwetel Ejiofor or anyone else who can fill theater seats and carry this movie?” I guess it didn’t need to be told that bad after all.
Then I had another revelation: “What if this movie does well? Are they gonna see this campy, whitewashed, shallow film as the new standard for Black film?” Shortly after Tyler Perry shattered expectations with his first two films, every Black movie became a made-for-after-church special. But we kept supporting him in hopes of sparking a Black Renaissance. Instead we got six Madea films (A seventh is due out this year). By supporting this, what will we get next?
Should I give up or should I just keep chasing pavement even if it leads nowhere?
– Ordale J. Allen
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